Rat in Hanbok

Here's a rat wearing hanbok.
Happy, rosey cheeked, and not a care in the world!

Here's a rat NOT wearing hanbok. Oh my! What a difference!

Which of these rats do you think got the better advertising gig? Rats are in hot demand this year, being that it's Year of the Rat.

The rat wearing hanbok must have a better agent. He gets to wear hanbok, traditional Korean clothing, usually only worn on special occasions. He gets to wear it out in the nice open air.

This poor rat is forced into a dimly lit subway station with nothing to wear at all! He really should talk to his agent.

Best of March

March was a dry month on this blog. Sorry, loyal readers, for not entertaining you better. These two posts are the best of March. Click an image or link below to go to the post.

Learn what you can and cannot do while on the subways of Seoul. These advertising campaigns approach subway etiquette with funny cartoons.

Korean Teletubbies? Hutos: The Flying House is a new show for preschoolers that shares a lot in common with the Teletubbies. But does it share too much? And is that a bad thing? Check it out and then weigh in your opinion.

Goal for April: complete 15 posts. Thanks to all you readers and an extra thanks to those of you who leave comments and email interesting questions. More will come soon!

Hutos - The Flying House

What do you think?Hutos - The Flying House is a new show made for preschoolers. It is made here in Korea and broadcast on KBS. This subway advertisement showcases the main characters. Do these characters strike you as very similar to another international hit show for preschoolers?Here's an abstraction of the main characters into basic shapes and colors. Don't they seem awfully familiar to you? Tell me what you think in the comments sections. I'll add more about Hutos to this post later.

UPDATE (March 15th, 2008): The similarities between Hutos and Teletubbies are not coincidental. Hutos is intended as the 'Korean Teletubbies'.The first obvious similarity is the character design. The characters are very similar colors as well as other design elements. The second similarity is in the structure of the show. It is undeniably like the Teletubbies. It is set in a beautiful nature reserve and they live in similar eco-friendly structures. The previews for this show even feature the characters posing in the same ways as Teletubbies and speaking baby talk as Teletubbies do. Although, in the actual show, a major difference is that the characters speak full sentences in Korean. And a further difference is that the show features music videos and animated segments (not beaming from their bellies).

Do you think that modeling Hutos so closely off of Teletubbies is a good idea? Here are some possible pros and cons:

Pros:

1. Teletubbies is a proven international success, so Hutos need not reinvent the wheel.
2. The similarities between the two shows helps audiences (parents) and global investors know exactly what to expect from this property.
3. Teletubbies rip-off or not, at least a Korean television program is gaining international interest. And anyways, nothing is ever completely original and it's not EXACTLY like Teletubbies.

Cons:

1. People may criticize Hutos as a blatant rip-off.
2. Is there a need for a Korean Teletubbies? There already is Teletubbies, so why bother with Hutos?
3. With all the financial backing for Hutos, the lack of originality is a missed opportunity for Korean talent to truly shine.

Hutos is a cute show that will likely have success on its own merits. The show looks beautiful. And, the heavy marketing can't hurt it either. However, will the Teletubbies similarities hurt or harm it? And what does Hutos reveal about the state of the Korean animation industry? Please share your thoughts.

Here are some links I found useful while researching this that you may too:

1. Episode of Hutos (with advertisements)
2. KOCCA: 'Hutos', KBS Young Kids Program, to develop a character manual

New Links: Useful Korean Animation Stuff +More!

I was walking through a snowy mountain when . . .Squirrel: Psssssst! Aren't you Midodok?
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Midodok: Yeah.
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Squirrel: I've been visiting your blog. It's okay. But I wanna see more stuff done by Korean animators. Whaddya say?
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Midodok: Sure, how about I put up some links to friends and co-workers of mine? You can visit the artist Skitsch's sketch blog. She's got a lot to say and drawings to share. Or you can visit Park Min's Naver blog. He posts his animation work sometimes and does it with a lot of style. Or how about Studio Moziri? They create cute and funny animations for you to watch online. Check it out!
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Squirrel: Wohoo! Thanks a lot!

Woodpecker: Tk tk tk tk tkkk. It's not enough! It's not enough!

Midodok: Huh?.

Woodpecker: You don't post enough on this blog! I want more, more , MORE!! Tk tk tk tkkkk.

Midodok: Sorry. I do my best!

Woodpecker: It's not enough! Tk tk tk tk tk.

Midodok: Well, there is this website hosted by the Korean Culture and Content Agency (KOCCA). They've got a wealth of information about Korean animation, comics, characters, video games, edutainment and more! I think it could be of great use to people interested in Korean creative content. I should visit that website more often myself.

Woodpecker: Thanks, I guess. Tk tk.

Bees: Bzzzzz. Bzzzzzzz. Bah! Who cares about Korean animation!? We want to read about Korean movies. And sometimes music. Not animation!
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Midodok: Sheesh! You mountain animals are asking for so much today!
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Bees: Bzzzzzzzz.
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Midodok: Okay, there is this blog called Korea Pop Wars by Mark Russell. He covers Korean movies and music in a professional manner. You bees would dig it.
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Bees: Why thank you!

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All the new links discussed here have been permanently posted on the right side of this blog. I hope they are useful to you. Check them out!

Best of February

February was short and sweet. I'm really proud of some of this month's posts. I really appreciate all of you who've already given them a look. And all of those of you haven't, go check them out now! (Just click a pic.) Here they are:

Take a peak at some rare souvenir buttons from the North Korean city of Kaesong.

Learn about Studio Moziri. Read an interview with the small yet creative team behind some cute animations. You can watch their Valentine's Day animation, too.

Take a stroll through a collection of the sugary cereal box covers of Korea.

Guest Post! Read the first guest post to be featured on this blog. It's by Alex Powell, an expert on Korean animation, who ranks the top 5 most wanted Korean toys for us. Definitely worth a read!

Thanks again to all you readers out there. If you have any suggestions for things you'd like to see posted here, please let me know. And those of you who have already given suggestions, please stay posted, I haven't forgotten and I'm still working on those.

GUEST POST: Top 5 Most Wanted Korean Toys

In the world of Korean toy collecting, there is a hierarchy or a most desired list. What’s that you say? "I didn’t even know there were Korean toy collectors let alone desirable Korean toys!" Well, desirability does depend entirely on personal taste, but rest assured, South Korean manufacturers have made some really bright and fantastical plastic eye-candy over the years.

Yeah, that’s right. We’re talking plastic. Macho robo-plastic. Many hardcore toy collectors can only get excited over die cast stuff, and that usually means the Japanese made toys, but I think the plastic stuff that came out of South Korea during the ‘pali-pali’ (rush-rush or hurry-hurry) development period from the 70’s to the early 90’s tells far more stories and is infinitely more revealing.

Archaeologists love finding toys from bygone civilizations because the toys can reveal much. The more advanced and technological the toy, the more advanced the society and culture. When it comes to toys from the 'pali-pali era', we’re looking at an old culture embracing the new by leaping into the industrial era. You’re also glimpsing South Korea’s first efforts at embracing the technological. Heck, might sound like bunk to read this, but you gotta remember that Samsung is now the worlds biggest electronic consumer goods maker after knocking Sony from that spot in 2006. South Korea’s economic miracle is mirrored in its animation industry and the history of Korean animation is mirrored in its toys. Okay, don’t wanna bore you too much.

For now, let’s focus on some of the most desirable toys ever made in South Korea. Feel free to disagree and argue the merits of one over another if you want.

TOP 5 MOST WANTED KOREAN TOYS:

5. Superman Knock-Off. Coming in at number 5 on the list, I place the great knock-off of Superman made by the Hyundai Tongsan Company. Now, Hyundai Tongsan were great in that they made the most lavish and oversized boxes for what were often, somewhat larger than normal toys--these guys here come in at around 45cm in height. Hyundai Tongsan, with their stolen image of either Duey or Luey (the green hatted one), made bootlegs of just about anything South Korean kids were watching which really adds to their desirability. Heck, I’d rather have a badboy bootleg than some sterile approved toy merchandise any day.

Superman and Atom

There were three characters in this series (Atom, Ultraman and Superman) and the Ultraman is still to be found on the shelves of some Moombangoo (toy store/stationary stores) in the outer provinces. The thing that makes them so desirable is that they were the same body mould with different heads/color scheme applied to each figure. This meant that things didn’t fit--so Atom (or Astroboy if you wish) has feet, a huge round melon head and a bulging groin! The superman is arguably the rarest because for some reason the plastic quality on the Supermen was very poor and they crumble to bits in the box.

4. Taekwon V 90: jumbo sized with all the extras. This toy is really quite desirable and has lured a few collectors of Japanese toys over just because of the many parts that it came with. I sold a few of these a few years back for around U.S. $300 each but I’d bet they would fetch quite a bit more now as I recently parted with this smaller version pictured here for the same price.

Robot Taekwon V 90

Taekwon V is arguably the most important Korean cartoon character ever created and while this robot is a latter version from around 1990, anything to do with the Taekwon V series of films is incredibly collectable and desirable within South Korea.

King of the Kings

3. King of the Kings. One of only 4 Jumbo Machinders known to have ever been made in South Korea (yes, there is a variant of this guy and then there’s the Go Lion). What makes this guy desirable is that he has Taekwon V styled horns/helmet slapped onto a Japanese styled God Sigma robot character toy. Current estimates value him at around $600 U.S. – that’s about $10 per centimeter in height.2. Super Taekwon V (pink box). Whew, hold your breath here, because you won’t believe what the last one of these was listed at on Korean ebay--a staggering 5 million Won --approximately 5K U.S.! Yep, granted the toy collecting community screamed that the seller was ‘pabo’ (fool), and other colorful phrases denoting he was living in a dreamland, but these have definitely sold before for around the 2 million won mark. Why? Once again it goes back to being a Taekwon V toy. Anything Taekwon V or Wooroemae in South Korea is collectable and with this, you’re looking at one of the first official toys of Taekwon V ever made. Taekwon V mania was absolutely huge in the late 70’s in South Korea and the mania continues to this day.Unfortunately, I’ve lost the picture of the pink box Super Taekwon V toy. This Super Taekwon V toy is from the same era and approaching the same price now. This picture is from recent gallery display in London/New York hosted by the Korea Society.

1. Korean made Jumbo Machinder circa 1975-76. The great lost treasure--heck, it’s so rare I wouldn’t dare even suggest a price. Nobody has seen one of these since the 1970’s.It stands at 65cm tall and is really a knock off Grandizer character, but heck, only one hardcore Taekwon V fan in Seoul claims to have owned one of these as a kid--he showed me a picture of him and his Taekwon V bicycle from when he was about 8 years old in Seoul in 76 and he then explained that he owned this jumbo toy as a child as well. I heard another Korean toy collector sigh under his breath after viewing the picture of said collector with original Taekwon V bicycle, words to the effect of ‘he was spoilt.’

Guest Post by: Alex Powell

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Midodok: I would like to thank Alex for contributing the very first guest post here on Korea & Animation. Alex is an avid collector of Korean animation memorabilia and really knows his stuff! He is also a frequent commenter here who often leaves very insightful contributions in the comments section (check them out!).

Interview at Studio Moziri

Interview at Studio Moziri
Studio Moziri is grand.

In reality, it's quite small. Studio Moziri consist of only a few people. Their office is located on the first floor of a humble street near Namguro Station in Seoul. They have a couple computers, a bunch of books, a light box, and a small plant. Still, Studio Moziri is grand.

During the day, Kim Yong Chan works as a director at a major animation studio in Seoul. During the night, your likely to find him at the studio he started in October 2006. You may also run into Yun Ga Ram there. She's both Director Kim's apprentice and creative partner.

Director Kim is a tall, kind man who some say looks like actor Nicholas Cage. I was interested in learning more about Studio Moziri. So, one night, he let me join him at the studio for an interview.

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Midodok: Why did you decide to start Studio Moziri.

Director Kim: The number one reason is that I want to play. My brain needs to play. So this is my free place to play. The company that I work at during the day is not free because I must make their story. But, this space is free. Ga Ram is free. Our emotions are free. Our plans are free. Anytime, anyday. We might chat about story ideas or eat or watch movies. It is not a job, just art playing.

Take a look at the new PipMan & PipGirl Valentine's Day cartoon created by Studio Moziri.

Director Kim: But we do need some resulting object and that is our digital stories. We can change the world through digital stories. Or people's minds. Why digital stories? We use a digital medium but the story is perfect analog.

Midodok: Huh? I don't get it. Can you explain better?

Director Kim: For example, PipMan & PipGirl is an 18-byte story. So many people have cell phones, but some emotion is lost in this form of communication. People will make up for that lost emotion. What is the source? Text. If I send a text message, it doesn't indicate that you are smiling. But if you send a text smile, it lets me know that you are smiling. 8 byte emotion.

Midodok: Oh, I get it. So although your medium is digital, the emotions you create are real (analog).

Director Kim: Yes. Digital can be handy, simple or easy. The speed is fast. Good. But it has lost too much emotion. We find that emotion and put it into digital.

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At this point in the interview, Yun Ga Ram arrived at Studio Moziri after a long day of work. Director Kim had told me about Ga Ram's hopes to eventually study at Musashino Art University in Tokyo, the same university he attended. I was interested in learning more about Ga Ram's role at Studio Moziri and her own dreams. So, I briefly interrupted my interview with Director Kim to interview her.

Midodok: How did you get involved with Studio Moziri?

Ga Ram: I followed Director Kim Yong Chan, ha ha! Here I just get to do what I like to do. I'm not working here, but studying.

Midodok: What do you hope for Studio Moziri?

Ga Ram: I'm not thinking about that.

Midodok: What is your personal dream?

Ga Ram: I want to be a director!

Midodok: What will you study in Japan?

Ga Ram: Visual arts.

Midodok: What is your favorite animation?

Ga Ram: Bonobono.

Midodok: What kinds of animation would you like to produce?

Ga Ram: Fun stuff!

Midodok: Is there anything else you'd like to add?

Ga Ram: I love PipMan & PipGirl, ha ha ha!

Midodok: Hmmmm, is there anything else I should ask?

Director Kim: How about what was difficult about directing the editing of PipMan & PipGirl?

Ga Ram: The first thing that was difficult was making their movements seem natural, even though they are just text. The second thing was the timing of the action. The third thing was deciding what PipMan & PipGirl's personality and emotions would be.

Midodok: What kinds of stuff do you do here at Studio Moziri besides PipMan & PipGirl?

Ga Ram: Drawing. I designed some characters. And some story writing and planning.

Midodok: Thank You!

Ga Ram then brought out some tangerines, took some pictures of me interviewing Director Kim, and then went to her computer to work. Later in the night, her gal pal joined her and the two of them started creating a mashup video of a girl dancing to funny music.

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Now, back to the interview with Director Kim:

Midodok: What's your hope for Studio Moziri?

Director Kim: It's too difficult. We shouldn't be thinking about that yet. I just want our freedom and our creativity to continue so we'll make art. I just want to continue. Continue making film or taking pictures. I don't want to be trapped by a position or title. I just want to have a method of expression.

Director Kim: I also want to encourage Ga Ram to become an artist and be creative. Her creation is important. There are so many people in Korea that are just drawing like engineers, but I want Ga Ram to be a creator. Me, too. Then, Moziri will have some stories and continue creating.

Midodok: By the way, what does the name Moziri mean?

Director Kim: It means "a fool" in Korean. We are not perfect. But together we are perfect. That is the meaning.

Midodok: Do you plan to create more PipMan & PipGirl animations?

Director Kim: Yes, sure.

Midodok: What else do you do here at Studio Moziri?

Director Kim: We have created short stories, dramas, short films, and movies. We plan cartoons, books . . .

Midodok: So you guys just create and create. How do choose decide what to create?

Director Kim: I can find ideas by just talking with other people. Like right now, we are talking about PipMan & PipGirl and I might get an idea from this conversation. Human life makes too many stories, but maybe everybody doesn't know how to make this into stories. I know how to use media to make an expression of these stories. It's too easy, just listen and look. Sometimes I tell Ga Ram, you can just walk in the street and you must find a creative kind of new story there.

Midodok: It seems so easy and natural.

Director Kim: Yeah. I think we have so many stories. There are so many people that have so many ideas, but they don't know how to explain the idea. What we do is plan how to explain that image.

Midodok: Is there anything else you'd like to add?

Director Kim: One thing I'd like to add is that many people don't want to create animation because it seems too difficult. But actually, it's too simple! Some people have this big view of animation, that you need key artists, storyboarders, etc. But actually, animation is just movement. That is so simple!

Midodok: Great, thank you for your time and sharing Studio Moziri with Korea & Animation!

Director Kim: Sure!

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Director Kim has created a place where creativity rules. Where learning and experimentation are more important than worrying about financial profit. Where, unlike many service animation studios in Korea, creation occurs rather than production. Director Kim has found a way to express himself, entertain us with cute animations, continue learning and help others along the way. That is truly grand!

Check out the Studio Moziri website or the Studio Moziri channel at YouTube!